How Alessandro Nivola Became the Right Kind of “Tough Guy” for the Sopranos Prequel
Netflix’s Diana: The Musical Is Too Bad to Even Hate-Watch
What It’s Like to Return to Broadway in the Middle of a Pandemic
Did You Think Evan Hansen Was Gay? You Are Not Alone.
How August Wilson and the New Yorker’s Theater Critic Processed 9/11 in Real Time on Slate
Why Colorblind Casting Can’t Save the Classic Musical
You Don’t Have to Suffer for Your Writing
Playwright Antoinette Chinonye Nwandu Is Done Suffering for Her Art
The Most Popular Opera Composer of Our Time on Why His Work Resonates
Spoiling the First Summer Blockbuster to Hit Theaters in More Than a Year
Why You Should Care About Bennifer. Really.
How Actor Blair Underwood Gets Ready to Play a Role
How Actor Blair Underwood Gets Inside His Characters’ Heads
Scott Rudin Apologizes for Abusive Behavior, Says He Will “Step Back” From Broadway
All of the Allegations Against Powerful Producer Scott Rudin
Oscar Heavyweight The Father Is a Dementia Movie Unlike Any Other
Tom Stoppard Doesn’t Trust Biographies. Now He’s the Subject of One.
How the Pandemic Turned Us All Into Dancers
How Choreographer Annie-B Parson Expresses Music Through Movement
Why the Artists Behind Hulu’s In & Of Itself Won’t Call It a Magic Show