A Valediction Forbidding Mourning for the End of Movie Club
In Defense of Tom McCarthy’s Simple, Perfect Spotlight Direction
How Should Lin-Manuel Miranda Structure the Film Adaptation of Hamilton?
Anomalisa Is a Masterpiece, and All That’s at Stake Is a Single Human Soul
The Joy of Weeping at Inside Out With Your Child
How Did George Miller Convince a Studio to Pay for Him to Blow Up Cars in the Desert?!
The Best Thing About Middle Age Is Not Having to Care About Giant Franchise Movies
25 Things That Offended Me at the Movie Theater in 2015
The German Thriller Victoria Should’ve Been the New Run Lola Run, but Nobody Saw It
How Did the Embarrassingly Terrible and Offensive Lava Ever Get Made at Pixar?
After Joy, I Better Not See Jennifer Lawrence Play a 40-Year-Old Again Until 2030
It’s a Pleasure to See a Director As Confident As Tarantino Flailing in Hateful Eight
I Rolled My Eyes So Hard at The Revenant
Sometimes You Need a 60-Year-Old Indian Trilogy to Make You Love Movies Again
How a Franchise Movie Like Creed Ends Up Among the Best of the Year
Carol Is the Best Movie of 2015, if Not the Decade
Spy, Jem and the Holograms, and Other Movies Snobs Dismiss Out of Hand
Who on Earth Is Quentin Tarantino Making Movies For?