CODA Is a Representation Milestone. The Movie It Remakes? Not So Much.
Judas and the Black Messiah Offers a Powerful Corrective to The Trial of the Chicago 7
Why Did Apple Pay a Record-Smashing $25 Million for This Sundance Movie?
How Nanfu Wang Made the COVID Doc China Doesn’t Want You to See
Daniel Dae Kim and Kendrick Sampson Joined Us Live at Sundance to Talk Movies and Thirst.
From Violent Avengers to Pregnant Teens, Sundance’s Women Met Obstacles Head-On
The Russell Simmons Documentary Takes on the Racial Dimensions of #MeToo
Netflix’s Miss Americana Unveils a New Taylor Swift
One Child Nation Is a Haunting Documentary About a Country’s Attempts to Justify the Unjustifiable
The Farewell Proves Awkwafina Can Be So Much More Than Comic Relief
The Last Black Man in San Francisco Feels Like Something Utterly New
The Souvenir Director Joanna Hogg on Re-Creating Her Own Artistic Origin Story
Sundance Breakout The Souvenir Is One of the Best Movies of the Year So Far
Lisa Kron on Activism and Desiree Akhavan on Queer Women Finally Getting Their Say and Sex on Camera
Exposing Other Realms: Augmented Reality and the Apparatus of Hollywood
The Real Problem With Zac Efron’s Ted Bundy Movie Isn’t the Heartthrob’s Hotness
Actor and Rapper Utkarsh Ambudkar and Emmy-Nominated Director Nisha Ganatra Shine at Sundance
Mindy Kaling’s New Movie Dares to Imagine a Female Late-Night Host
In a New Documentary, Alexandria Ocasio-Cortez Is Thrilling Just Picking Apart a Campaign Mailer
The Most Revealing Thing in the New Michael Jackson Doc Isn’t the Allegations