Does the Academy Think Little Women Directed Itself?
Michelle Williams’ Surprisingly Personal Speech About Abortion Was the Golden Globes’ Most Powerful Moment
2019 Was the End of an Era in Feminist TV
Why the Denial of Trans Identity Is So Mainstream in the U.K.
On Telling the Truth When the Powerful Have Stopped Listening
Portrait of a Lady on Fire Is a Perfect, Swoon-Worthy Romance
Lindy West Is Reclaiming the Word Witch
The Dutiful Feminism of the New Charlie’s Angels Made Me Miss the Sleazy Camp of the Old Ones
57 Champions of Queer Feminism, All Name-Dropped in One Impossibly Catchy Song
The New Terminator Suggests It’s Time for the Franchise to Say “Hasta La Vista”
Who Are Feminist Baby Books For?
Is America’s Favorite Playwright Too Much for New York?
What Hollywood’s Movies About Aging Starlets Keep Leaving Out
The Fan-Favorite Podcast Thirst Aid Kit Comes to Slate
What’s Fact and What’s Fiction in Hustlers
Writing the New Playbook for Political Women
Sleater-Kinney Has Long Symbolized a Feminist Utopia. What Happens When Things Fall Apart?
Jia Tolentino’s Debut Is a Hall of Mirrors You’ll Never Want to Leave
A Key Line in the Little Women Trailer Is Not From Little Women at All
Emily Ratajkowski Has Armpit Hair. Why Is That So Annoying?