Extra: The Classical Side of Wynton Marsalis

Wynton Marsalis and the evolution of the swing rhythm, but with a classical twist.

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Studio 360 is a smart and surprising guide to what’s happening in pop culture and the arts. Each week, Kurt introduces the people who are creating and shaping our culture. Life is busy—so let Studio 360 steer you to the must-see movie this weekend, the next book for your nightstand, or the song that will change your life. Produced in association with Slate.

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Episode Notes

Wynton Marsalis is a jazz icon—a renowned trumpet player and composer, he is also the music director of the Jazz at Lincoln Center Orchestra. But since the very beginning, classical music has been a part of his musical makeup.

Marsalis tells Kurt Andersen about how a chance encounter on a New Orleans streetcar began his love of classical music. At age 20, Marsalis released a recording of trumpet concertos by Haydn, Hummel, and Leopold Mozart. This debut album won the Grammy Award in 1983 for Best Classical Performance for an Instrumental Soloist With Orchestra. The same year, his jazz recording Think of One won the Grammy Award for Best Jazz Instrumental Performance, Soloist.

His work as a classical composer began in response to a dare from German conductor Kurt Masur, who in the 1990s was the head of the New York Philharmonic. “It’s only because he came to a concert of mine when I was like 28 or 29, and said he wanted me to write for the New York Philharmonic,” Marsalis tells Kurt Andersen. “I started laughing like, man, I have never even written for a big band.”

Since then, Marsalis has composed four symphonies and performed with leading orchestras including the Los Angeles Philharmonic, Boston Pops, the Cleveland Orchestra, English Chamber Orchestra, the Toronto Symphony Orchestra, and London’s Royal Philharmonic.

This year, he released his first violin concerto and a recording of his Symphony No. 3—Swing Symphony, with the Jazz at Lincoln Center Orchestra and the St. Louis Symphony Orchestra conducted by David Robertson.

“There’s no one right way to do things—there are many ways,” Marsalis says. “But I’m a jazz musician, so at the end of the day I’m gonna swing. That’s what I like to do.”

This podcast was produced by Studio 360’s Sandra Lopez-Monsalve.