I Write Sins, Not Tragedies Edition
The pop-punk and emo boom of the ’90s and ’00s shows how punk keeps selling out and buying in.
Listen & Subscribe
Choose your preferred player:
Apple Podcasts
Get Your Slate Plus Podcast
If you can't access your feeds, please contact customer support.
Listen on your computer:
Apple Podcasts will only work on MacOS operating systems since Catalina. We do not support Android apps on desktop at this time.
Listen on your device:RECOMMENDED
These links will only work if you're on the device you listen to podcasts on. We do not support Stitcher at this time.
Set up manually:
Episode Notes
“Punk happened, past tense.” That’s what Boomer-era critics and true-believer punks told the younger generations. Punk’s whole reason for being was rejecting the mainstream. But punk wasn’t just a movement—it was also a genre. And 20 years after it first emerged, punk went from underground to overground, dominating the radio for the first time.
In this episode of Hit Parade, Chris Molanphy traces how punk traveled from Sid Vicious to strip mall, through the lineage of ’90s bands Green Day, Offspring, and Blink‑182, and ’00s emo artisans Fall Out Boy, Panic! at the Disco, and their skinny jeans–wearing, smarty-pants contemporaries. From the CBGB era to the current Billboard Hot 100, punk is no historical artifact—it’s still morphing and adapting. And for all its supposed opposition to convention, the dirty little secret is: Punk has always been catchy.
Podcast production by Asha Saluja with help from Rosemary Belson.
