In Season 2, Master of None Goes Bigger and Gets Better
American Gods Is the Best Possible TV Adaptation of Neil Gaiman’s Wonderstruck Fantasy
The Handmaid’s Tale Is Mortally Terrifying. It’s Also Somehow a Pleasure to Watch.
The Leftovers Has Entered Full-Blown Mania, and It’s Thrilling
The New Season of Veep Has More Pathos Than Punchlines
Shots Fired, American Crime, and the Art of Making Grim, Issue-Driven TV That’s Fun to Watch
Netflix’s Iron Fist Has About As Little Self-Awareness As its White, Male Billionaire Superhero
Ryan Murphy’s Feud Takes One of History’s Juiciest Catfights and Saps It of All Its Juice
HBO’s Thrilling Big Little Lies Lets Reese Witherspoon Do Exactly What She Does Best
Legion Is an Anti-Superhero Superhero Show With a Rubik’s Cube Where Its Heart Should Be
Don’t Let the Noise Around Lena Dunham Drown This Out: Girls Was a Truly Great Show
The New 24 Raises the Question: Can a Show Be Tacitly Anti-Immigration and Also Woke?
Riverdale Mashes Up Archie Characters With a Medley of Genres, and It’s Delectable
How Much Can Rick Grimes Whisper-Yell on The Walking Dead?
Homeland Has Become the One Thing It Seemed Like It Would Never Be: Comforting
HBO’s Young Pope Is Not Nearly As Fun As the Tweets About It
The New Celebrity Apprentice Will Make You Pine for a President Schwarzenegger
Lee Daniels’ Star Is a Soap Opera That Wants to Heal Our Country’s Racial Divide
Willa Paskin’s Top 10 TV Shows of 2016
Those Last Four Words: A Conversation With Chris Eigeman About the Gilmore Girls Reunion