Chuck Berry Didn’t Just Invent Rock and Roll. He Perfected It.
The Magnetic Fields’ 50 Song Memoir Is Easily Their Best Album This Century
Dirty Projectors’ New Album Is a Cringefest Doused in White Male Tears. Or Is It?
The First Jazz Record Is Turning 100. Its Creator Claimed Whites Alone Invented Jazz.
Could Anti-Trump Americans Make “FDT (F— Donald Trump)” the No. 1 Song in the Country?
Dear Grammys: If You Won’t Fix Yourself for Beyoncé, Please Fix Yourself for Adele
If You Miss Leonard Cohen, Meet His (Queer) Heir
How America’s Biggest New Rock Band Turned Trump-State Anxieties Into Arena-Size Success
How I Found Faith in the Pop Elation of George Michael
The Best Jazz Albums of 2016
This New Doc About the Invention That Changed Music Is a Must-Watch for Music Nerds
The Weeknd’s New Album Suggests That the Self-Proclaimed Bad Boy Is Above All a Workaholic
Miranda Lambert’s New Two-Disc Album Could Help Our Two Americas Understand Each Other
On A Tribe Called Quest’s First Album in 18 Years, Its Music Is, Amazingly, as Timely as Ever
Losing Leonard Cohen Right Now Feels Like a Sick Joke—Like One Out of His Songs
The Mountain Goats’ John Darnielle on What His 1995 Song “Cubs in Five” Means to Him in 2016
On Her New Album, Lady Gaga Reveals the Woman Behind the Meat Dress
Danny Brown’s New Album Is One of the Best of the Year—and One of the Most Frightening
The Most Powerful Aspect of Solange’s New Album Is Its Refusal to Give an Empowering Message
How the Rolling Stones, a Band Obsessed With Black Musicians, Helped Make Rock a White Genre