This Swedish DJ Created the Template for Modern Pop. Why Have You Never Heard of Him?
Why So Many of 2015’s Biggest Pop Stars Are Channeling the Sound of the 1980s
Sinéad O’Connor Bet Me a Happy Meal That I’d Change My Mind About Her Music
The Problem With “Country for People Who Don’t Like Country”
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How Ornette Coleman Inspired the Velvet Underground, Public Enemy, and So, So Many Others
The Extraordinary Songwriter Who Helped Take the Guilt out of “Guilty Pleasures”
Mumford and Sons’ Banjo-less New Album and the Perils of Self-Reinvention
The Only Way to Save “Indie” Is to Eliminate That Outdated and Implicitly Racist Term
How Should White Fans Approach the “Overwhelming Blackness” of Kendrick Lamar’s New Album?
What Only a Canadian Can Truly Understand About Drake
The 2015 Grammys, Reviewed to the Tune of Sam Smith’s “Stay With Me.” Clap Along!
Björk’s New Album Is As Startling (and Brilliant) As Joan Didion’s The Year of Magical Thinking
Is Taylor Swift’s Navel the Tesseract, and Other Deep Questions About 1989
Three New Albums Show How Even an Old Hipster Can Age Gracefully
Three Women Singing Great R&B About Sexy, Committed Love
The Sad, Gradual Decline of the Fade-Out in Popular Music
No One Agrees on This Year’s Song of the Summer, but for Artist There’s No Question
Just Because Jenny Lewis Is Easy to Love Doesn’t Mean You Should Dismiss Her Music
Pop Charts Underwhelming You? Try Out a Different Kind of Summer Song.