The Pulitzers Awarded Kendrick Lamar for the Wrong Reasons
America’s New Favorite Song Finds Drake Saying “Sorry” for “Hotline Bling”
How Two Classical Composers Feel About Losing the Pulitzer to Kendrick Lamar
On Her Debut Album, Cardi B Takes Rap History, Flips It, and Reverses It
Taylor Swift Left a Blank Space in Country Music. Now Kacey Musgraves Could Fill It.
A New Box Set Challenges the Conventional Wisdom About Miles Davis and John Coltrane
Mount Eerie’s Haunting New Album Explores the Stages of Grief That Come After “Acceptance”
Yo La Tengo’s There’s a Riot Going On Is Hardly Riotous, but It’s One of Their Best
Lucy Dacus Has Figured Out How to Keep Listeners From Clicking “Next Track”
John Luther Adams on How He Found New Music in the Desert
Kendrick Lamar’s Black Panther Album Is Rich With Meaning You Can Only Appreciate After the Movie
On Man of the Woods, Justin Timberlake Sets Out to Say Something and Ends Up Saying Nothing at All
America’s New No. 1 Was a Foregone Conclusion. Is There Anything Left for Drake to Prove?
This Year’s Grammys Should Make Artists Like Kendrick Lamar Question Why They Even Show Up
America’s New No. 1 Song Is the “Crazy in Love” of Its Moment
Eminem’s New Album Is a Fiery and Much Needed Denunciation of Trump. It’s Also Terrible.
The Best Jazz Albums of 2017
Björk and U2’s New Albums Offer Different Utopian Visions, to Different Degrees of Success
On Reputation, the “Old Taylor” Is Dead, but the New One Isn’t Quite Ready to Come to the Phone
Why the Williamsburg Bridge Should Be Renamed After Sonny Rollins