Sure, A Quiet Place and Hereditary Were Good, but the New Halloween Scared and Delighted Me Even More
Fred Rogers, RBG, and 2018’s Documentary Market of Celebrity Hagiography
The James Franco Section Is the Best Part of The Ballad of Buster Scruggs
Roma Left Me Cold—and Claims That You Must See It in a Theater Left Me Colder
I Don’t Care That Loving A Star Is Born Makes Me Square
The Best Documentary of 2018 Resisted Easy Messages and Found Beauty in the Everyday
Sorry to Bother You Had the Best—and Most Painful—Jokes of the Year
The Tale Tackled the Most Urgent Subject of Our Moment. So Why Did It Disappear?
Thanos Was the Dark Avatar of Movies in 2018
Stan & Ollie Is a (Mostly) Delightful Double Act
All Is True Is a Shakespeare Biopic for the #MeToo Generation
Welcome to Marwen Is About Life in Plastic. It’s Not Fantastic.
Aquaman Is the Best Star Wars Movie of the Year
The Dick Cheney Biopic Doesn’t Just Fail as Comedy. It Fails as History.
Dick Cheney Biopic Vice Tries (and Fails) to Give Him a Heart
In The Mule, Clint Eastwood Contemplates Death, Racism, Pulled Pork
The 10 Best Movies of 2018
If All You Want Is an Escape, Mary Poppins Returns Is Practically Perfect in Every Way
Netflix’s Dumplin’ May Actually Make You Tired of Dolly Parton
Roma Depicts One of the Hidden Wounds of Mexican Society