Lawrence Wright Paints an Intimate, Nuanced Portrait of Texas. If Only He Had Been Willing to Look Harder at Its Racial Dynamics.
Can Transplant Lauren Groff Capture America’s Weirdest State in Florida?
Bill Clinton and James Patterson’s Terrible Thriller Is a Fascinating Projection of Clinton’s Inner Life
The New Book About The Simpsons Is Hilarious, Joke-a-Minute, and Overstays Its Welcome
In Zora Neale Hurston’s Account of the Last Living “Black Cargo,” Two Drastically Different Worldviews Collide
Errol Morris Refutes It Thus
Porochista Khakpour Chillingly Upends All the Tropes of the Illness Memoir
Paul Simon’s Biographer in the Bubble
Sally Rooney on the Bourgeois Values of Rachel Cusk’s Novels
Gary Shteyngart on Meeting Philip Roth, Teaching Roth, and the Novelist’s “Humor From the Edge of the Blade”
A Guide to the Many, Many Books of Philip Roth
Michael Chabon, Stop Being the World’s Best Dad, You’re Killing Us
Michael Pollan on How LSD Isn’t Just for the Young
Sharp Is Consistently Entertaining, but I Wish It Were Sharper
Inside a Women’s Prison in Rachel Kushner’s Sorrowful, Magnificent Novel
If We Try Too Hard to Parse the Feminism of Meg Wolitzer’s New Book, We Risk Missing Its Smart Satire
Jenny Offill Interviews Joe Dunthorne About The Adulterants
The Only Thing to Admire About Tiger Woods Is His Legendary Talent
Has Leslie Jamison’s Life Been Cursed or Charmed? It Depends How You Tell the Story.
American Factories Used to Be Symbols of Modernity. They Symbolize Something Very Different Now.