Can Thomas Harris Escape the Shadow of Hannibal Lecter?
An Empty, Edenic “Frontier” Was a Core Lie of American History. So Why Is David McCullough Still Peddling It?
The Mueller Report Is Part Spy Thriller, Part Game of Thrones—With Footnotes
Unpacking Sally Rooney’s 19th-Century Influences
Two Explorations of Parenthood Win Slate’s Cartoonist Studio Prize
Sally Rooney’s Normal People Excels at the Thing Novels Do Better Than Any Other Art Form
The First Section of Susan Choi’s Trust Exercise Had to Be Kind of Bad for the Novel to Be So Good
Is Therapy Only for People With “Real” Problems?
How Humor Makes a Poem Especially Alive
The New Javanka Book Epitomizes the Juicy, Nauseating Genre of White House Palace-Intrigue Reporting
The Bird King Offers a Rare, Thrilling Portrayal of Platonic Love Fiercer Than Its Erotic Counterparts
Kathryn Davis Is the Most Original Novelist in America
The Year’s Best Comics Are on the Cartoonist Studio Prize Nominations List
Helen Oyeyemi’s Dark, Rich Fairy Tale Is About an Island That Turns Its Back on the World. Sound Familiar?
Maria Popova’s Move From the Internet to Print Misses Its Connections
Can David Wallace-Wells Scare Us Into Addressing Climate Change?
Marlon James’ Fantasy Trilogy Is a Delirious Smoothie of Influences and Tributes
Jill Abramson and the Church of Facts
Readers Who Related to “Cat Person” May Be Turned Off by Kristen Roupenian’s Weirder, Pervier Collection
Announcing the Seventh Annual Cartoonist Studio Prize