Roma Is Finally on Netflix. Is It Still Better to See It in a Theater?
It Wasn’t Kevin Hart’s Homophobic Tweets That Doomed His Oscars Hosting Gig
Spider-Verse Is a Superhero Movie for People Tired of the Same Old Superhero Movies
Lars von Trier’s Director’s Cut of The House That Jack Built Delayed After Ratings Board Threats
This Supercut of the Year’s Best Movies Really Ties 2018 Together
How Does The Ballad of Buster Scruggs Fit Into the Coen Brothers’ Oeuvre?
The Best Movies and TV Shows Coming to Netflix, HBO, Amazon Prime, and Hulu in December
Bernardo Bertolucci, Director of The Last Emperor and Last Tango in Paris, Is Dead at 77
12 Years a Slave Director Steve McQueen on Why He Followed His Oscar Winner With a Heist Movie
Goodbye, FilmStruck. Hello, the Criterion Channel.
Creed II Is a Throwback to an Older Kind of Sequel
Ralph Breaks the Internet Is Remarkably Smart About What It Feels Like to Live Online
The New Dragon Tattoo Movie Reduces Lisbeth Salander to a Goth James Bond
Read the Anti-Trump Speech That Got Jason Blum Booed Off Stage at the Israel Film Festival
The Walking Dead Is Planning a Series of Rick Grimes Movies
The Bone-Breaking Horror of Suspiria
Orson Welles’ Final Movie Is Premiering on Netflix. After 48 Years, It Feels Remarkably Finished.
The Best Movies and TV Shows Coming to Netflix, HBO, Amazon Prime, and Hulu in November
Men Are Useless in the Halloween Sequel
Steve James on How Oak Park Has Reacted to America to Me