What’s Next for TV’s White Guys?
The Boys Made My Head Explode
The Good Lord Bird Was Funny and Violent and Sad
How to With John Wilson Made the Most of This Disaster of a Year
2020 Fell Off a Cliff, but TV Stayed in the Air
Why Truly Bad TV Is So Important
When Bad Decisions Make for Great TV
TV Has Finally Caught Up to Donald Trump
The Case for The Morning Show
Fleabag Breaks the Fourth Wall and Then Breaks Our Hearts
Where Are the Happy Endings in “Bandersnatch”?
CBS’s Toxic Culture Isn’t Just Behind the Scenes. It’s in the Stories It Tells.
Rebooting Forgotten TV Shows Is a Great Idea
Overly Long Episodes Are the Manspreading of TV
Tim Allen Is Not a Working-Class Hero
This Is the Most Boring Season of The Bachelor Ever
It’s Time to Do Away With “America’s Dad” as Our Journalistic Standard
The Ending of Alias Grace Makes Us All Guilty
Why Some Artists Are Never Separated From Their Work (and Why Louis C.K. Was)
How Does Netflix’s Alias Grace Compare to Margaret Atwood’s Book?