Can You Ever Forgive Me? Reveals a New Side of Melissa McCarthy
The Counterintuitive Coziness of Doctor Who
Damien Chazelle’s Follow-up to La La Land Is About a Sad Man Obsessed With Moonlight
A Star is Born Is a Reboot Done Right
Bradley Cooper and Lady Gaga’s A Star Is Born Is Astonishing on Multiple Levels
The Old Man and the Gun Is a Perfect Swan Song for Robert Redford
In The Land of Steady Habits, Nicole Holofcener Explores Uncharted Territory: Men
Does the Plot of Mission: Impossible—Fallout Make Any Sense? Does It Matter?
A Deep Dive Into the Mamma Mia! Cinematic Universe
The New Mamma Mia! Is Essentially Celebrity Karaoke Night. I Can’t Wait to Go Again.
Eighth Grade Is a Movie About Middle School That Will Leave Adults in Tears
Let’s Spoil Every Minute of Hereditary, Because Maybe You’re Too Afraid to See It
What Should We Make of Infinity War’s Shocking Ending?
Is Ready Player One Spielberg’s Mea Culpa for the Hollywood He Created—or Is It Reveling in It?
You Were Never Really Here Hits You Like a Hammer
Is Isle of Dogs Delightful, Culturally Insensitive, or Both?
Heavy Humor Behind the Iron Curtain
Wes Anderson’s Latest May Be About Talking Dogs, but It Feels As Real As Any of His Movies
Three Slate Critics Try to Iron Out What Went Wrong With A Wrinkle in Time
Three Slate Critics Try to Make Sense of the Ending of Annihilation