Taylor Swift Finally Figured Out the Streaming Era
Why Michael McDonald, Steely Dan, and Toto Are Yacht Rock—and Jimmy Buffett Isn’t
Lilith Fair Broke Music’s Glass Ceiling
How Sarah McLachlan Capped a Decade of Female Chart Dominance by Launching Lilith Fair
What Will Be the Song of Our Pandemic Summer?
OutKast Showed the World That the South Isn’t a Monolith
Atlanta Wasn’t a Hotbed of Hip-Hop Before OutKast Invited Everybody to the Player’s Ball
The Bridge: Piano Man, Everyman
How Billy Joel Became a 20th-Century Pop Zelig, Celebrating His Heroes by Imitating Them
How Did Latin Crossover Go From Shakira’s Rock en Español to Bad Bunny’s Everything en Español?
Why the Weeknd’s “Blinding Lights” Is the First Chart Topper of the Coronavirus Era
The Latin-Pop Boom of ’99 Made Ricky, J.Lo, Enrique and Shakira Household Names.
Was Whitney Houston the Best Vocalist of All Time—and Was That a Double-Edged Sword?
How Whitney Houston Broke Chart Records and Changed the Game for Black Female Crossover
How Did “Weird Al” Yankovic Become the Most Successful Novelty Musician Ever?
The History of Novelty Songs on the Charts, From the Big Bopper to Tiny Tim to Weird Al
2020 Might Have Just Gotten Its “Old Town Road”
Mariah’s Loyal “Lambs” Love Her for Her No.1s and Her Flops Alike
The Hot 100 Formula Had to Change for Mariah Carey’s Christmas Song to Hit No. 1 After 25 Years
Genre Isn’t Really Dead. The Boundaries Have Just Moved.