Maren Morris Is Nashville’s Greatest New-Generation Singer, but Her New Album Is Stuck in the Middle
Solange’s New Album Reclaims New Age Music as Black Music
Michael Jackson’s Legacy Shouldn’t Survive Leaving Neverland. Here’s Why It Will.
The Grammys Finally Managed to Lower the Bar Enough to Clear It
Thank U, Next Is Ariana Grande’s Best Album Yet
Conor Oberst and Phoebe Bridgers’ New Album Is Both a Throwback and Perfectly Timed
The Best Songs of 2018, in One Playlist
Pop Stars’ “Narratives” Are Drowning Out Their Actual Music
Much of This Year’s Most Vital Music Was Released by Veterans
In Music, 2018 Was the Year Everything Had Already Changed
Two New Releases Reclaim the “Supergroup” for Women
Robyn’s Honey May Not Have the Sugar-Rush Highs We Want, but It Has the Healing Powers We Need
The History of the Cover Song, and Why It May Be Making a Comeback
Elvis Costello’s New Album Is His Best This Century
Leonard Cohen’s Viral Kanye West Poem Isn’t an Insult. It’s a Tribute.
A Star Is Born Throws Gaga’s Pop Under the Bus, but on the Album, She Gets the Last Laugh
On His New Album, Eric Church Steps Out as a True Country-Music Outsider
A Terrific Chronicle of the Past, Present, and Future of Jazz
If Bandleaders Are Bosses, What Management Style Makes the Best Music?