The XX Factor: What women really think.



  • Naomi Wolf Explains Why Angelina Jolie Is Better Than Every Woman Ever


    In this month’s Harper’s Bazaar, Naomi Wolf has penned an absurd, overwrought, swooning love letter to Angelina Jolie, the woman who, in Wolf’s analysis, most fully embodies “having it all.” It’s just about impossible to read this piece and simultaneously remember that Wolf is a serious feminist and thinker. She has bent her erudition to the plainly ridiculous, plainly thankless task of explaining that, because Angelina Jolie is a symbol of both goodness and sexiness, she is a better, more complete woman than Mother Teresa, Florence Nightingale, and Elizabeth Taylor. Apparently, if Mother Teresa had made time to screw hotties between her busy orphan-caring schedule... (To read the rest of this post, visit our new website DoubleX.com!)

  • Innocents on Stage


    Well, Dahlia, I disagree: Susan Boyle doesn't look at all like an ordinary suburban woman. I'm as in love with her video as everyone else, and yes, appalled by the condescension with which she's being treated. But I think I understand it. In our era, ordinary suburban women overpluck their eyebrows, overdose their with hair with coloring and cream conditioner, and worry about when they can get to the gym. They don't confess to being 47-year-old virgins on international television. Susan Boyle looks like a throwback to a pre-modern era, a WWI Scottish villager, before 24-hour television, before self-improvement magazines, before the onslaught of the cosmetics and body improvement industries. She's astonishingly innocent of all that hyper-self-consciousness that a generation of para-feminists have been discussing, Naomi Wolf, Susie Orbach, and all the rest who wring their hands publicly about Barbie and absurdly slim models and adolescent bulimia in the Marshall Islands, about the vaunted pressure on girls to be perfect—gorgeous, brilliant, athletic, charming, and sexy all at once. Most human beings are sensitive to how we are perceived—and for many, that has become hypersensitivity in our media-tized world.

    Susan Boyle seems like a kind of miracle: immune to, even innocent of, all that—and yet with a extraordinarily developed and sophisticated voice hidden in her extraordinarily unsophisticated package. It's that contradiction, I think, that has made her a huge hit. Most people would have been afraid and ashamed to appear on stage with an appearance that's so in conflict with how contemporary women are expected to present themselves. How refreshing to see someone who doesn't appear even to notice her appearance—and yet who is proud to carry that fabulous gift!

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