The XX Factor: What women really think.

Here's to Bea Arthur and to Never Copping Out

Bea Arthur, the irrepressible star of classic sitcoms Golden Girls and Maude, died on Saturday at the age of 86. The New York Times coverage of Arthur's death was notable for two reasons. First, when the Times initially put up the obituary, the headline was "Bea Arthur, TV Battle-ax, Dies at 86." Certainly the characters Arthur played—the titular Maude and Dorothy Zbornack on Golden Girls—were outspoken women, but to paint them with the "battle-ax" brush seems unwarranted and sexist. No wonder the headline was switched to "Bea Arthur, Star of Two TV Comedies, Dies at 86"

And speaking of Maude's outspokenness, the Times also focused on the controversy surrounding the character's choice to have an abortion:

The two-part episode was broadcast in November 1972, two months before Roe v. Wade, the Supreme Court case that made abortion legal nationwide, was decided. By the episode’s conclusion, Maude, who lived in Westchester County in New York, where abortion was already permitted, had chosen to end the pregnancy. Two CBS affiliates refused to broadcast the program, and Ms. Arthur received a shower of angry mail.

“The reaction really knocked me for a loop,” she recalled in a 1978 interview in The New York Times. “I really hadn’t thought about the abortion issue one way or the other. The only thing we concerned ourselves with was: Was the show good? We thought we did it brilliantly; we were so very proud of not copping out with it.”

What's remarkable to me is that since this very special episode of Maude aired, the incidence of abortion on TV has been nearly nonexistent. The only semi-realistic abortion I can remember on TV happened on HBO's Six Feet Under. I have started referring to this phenomenon as "reverse-quicksand." You see movie and television characters get stuck in quicksand all the damn time, though death by quicksand is nearly impossible. Abortion, however, is something that 35 percent of American women will experience before the age of 45, and yet it is almost absent from our popular culture. Why has Hollywood, that bastion of supposed liberalism, kowtowed so completely to the far right on depicting this issue in fiction?