-
sponsorship
After each episode of Project Runway's seventh season, a gaggle of Slatesters will gather to dish about the show. This week, the challenge was to design a signature dress for Campbell's "adDRESS your heart" program, and the clients were women whose lives "have been impacted by heart disease." Amy Sarabi was the winner; Jesus Estrada was sent home.
David Plotz: Can we just pretend that episode never happened? All that shiny red fabric. All that crass-even-by-reality-TV-standards shilling for Campbell's. All that phony do-goodism. And then all those extremely ugly dresses. Give me burlap any day.
June Thomas: Amen, brother. I just feel bad that this week's Project Runway was pre-empted for an hourlong Campbell's soup commercial. There were too many elements to the challenge—the dress had to be suitable for a fancy gala, be predominantly red and incorporate the Campbell's logo, and, as they mentioned so many times, the designers were working with "real women." (As wonderful as those real women no doubt are, I gained a new appreciation for the way the emaciated professional models make clothes look great.)
Hanna Rosin: I actually had hopes for this one. Remember a few seasons back when they did the shameless promo challenge at the Hershey's store? That produced some of my favorite dresses ever, made of layered candy wrappers and licorice. The problem here was that they weren't shameless enough. They should have gone Andy Warhol on them—made them incorporate actual tin cans and limp noodles.
JT: Hanna, you're making me wish Ping was still around. She could've made a kick-ass tin-can dress.
HR: After the endless reminders that these were "real women," I wasn't sure if we were supposed to pity them more because they had heart disease or because they were "real," which in fashion just means fat, right?
DP: The real women Campbell's chunky soup challenge. Rearrange those words as you see fit.
I will say this for the real women: They do reveal which designers can't actually, uh, design. That thing--that extra-wide load thing--that Anna sent down the runway was evidence that she and her wispy la-di-da pretty face need to go home. She can't make a dress.
JT: I would love to pick a fight with you, David, but I agree completely. Anna's dress was the opposite of flattering. I would've sent her home before Jesus--sure, his tacky little number looked like something from the opening ceremonies of the Sex Worker Olympics, but it fit and it was flattering, which is more than could be said for Janeane's, Anna's, or the really vile ensemble from this week: Jesse's shiny white majorette jacket and paneled skirt
HR: I think disease is a real problem for reality television, because it sucks the life out of the show. Deep in their hearts, the designers were pissed that they had to design for these frumpy non-famous post-ops. But because they had "heart disease," nobody could say that. So, except for one bitchy Mila comment about her model being a "really tough fit" (again, fat), the episode was a dud.
And did Jay actually say, "I've never met anyone in my life who died"?
DP: Be fair. He did caveat it: "I've never met anyone in my whole entire life who died and came back to life."
June, what are the events at the Sex Worker Olympics? And will it be carried on NBC? Actually, in their horrific bloody red ugliness, a lot of these outfits could pass for genuine Team USA Olympic uniforms.
JT: Let's just put it this way: If Jesus' model had carried a tray of drinks in one hand and a pingpong ball in the other, she couldn't have looked any trashier.
Did either of you see anything that you liked tonight? I agree with the win—Amy did manage to create movement and elegance, but it was still a pretty boring design. Other than Jonathan's silk layer cake of a dress, which stood out mostly because he eschewed bright scarlet, the others all seemed ugly.
DP: I disagree about Jonathan's, which, except for being eggplanty rather than bloody, was bad wedding-store dress. I liked Mila's star-spangled fire engine. I worry that Mila is going to poison Amy before next week's episode, but I still think she's the best designer they've got.
I wasn't gaga over Amy's winning dress, but I am gaga over her. It's been a long time since there has been a PR contestant I really liked. Amy has a dignity and charm about her. It may not win her the competition against ax murderess Mila and quietly vicious Emilio, but I am all in for her.
JT: Ugh, I hated Mila's dress. The story of the stars—the classic Campbell's branding elements—was great, but the dress itself was horrid. Those puckered old stars made me weep for old glory.
HR: I think they can't kick Anna out for the same reason they can't complain about the heart disease patients. It's like kicking a puppy. (And they can't ever kick Janeane out, because she will threaten to jump off the roof of Mood.)
I have become kind of interested in Emilio, though. He's been offstage since the first episode, but he's been amping up the bitchiness at an alarming speed. I feel like they are preparing us for an Emilio showdown. But I'm not sure with whom.
DP: Janeane and Anna remind me of the girls I tried desperately to avoid dating in college. And Maya reminds me of the girls I tried desperately to date. And Mila—a grown-up Maya—is a very useful reminder of how lucky I was that the Mayas wouldn't date me.
HR: So, David, am I an Amy or a Maya?
DP: You are a total Amy!
Previous chats: Weeks 1, 2, 3
-
sponsorship
After each episode of Project Runway’s seventh season, a gaggle of Slatesters will gather to dish about the show. This week, the first part of the challenge was to create a high-end, signature look in teams of two inspired by 10 iconic outfits at the Metropolitan Museum’s Costume Institute. The second part of the challenge was to create a mass-market look for less inspired by another team’s signature look. Mila Hermanovski was the winner. Ping Wu was sent home.
Hanna Rosin: I have to say, I am a total sucker for team challenges. They are bad for the fashion but excellent for tension and drama. The looks—with one exception —were pretty forgettable. And that second challenge was kind of pointless and messy. But this episode produced some of the best lines of the season so far: "I'm just trying to rein in the crazy" (Jesse on Ping) and "We're designing for the vice president of McDonald's” (Anthony).
David Plotz: I totally disagree with you, Hanna. We've seen exactly this episode of P.R. a dozen times before. There's the team leader whose ego is too big. The team leader whose subordinate is relentlessly, systematically undermining her. There's the team where one person can't sew. Oh, and then there's the "surprise" second challenge, which is supposed to come as a shock to everyone but is just as formulaic. If we wanted to see how reality teamwork is supposed to work, we should have tuned into the season premiere of America's Best Dance Crew over on MTV. I caught a few minutes of it, and enjoyed the team spirit—and the fashion—a lot more than I enjoyed tonight's P.R. episode.
H.R.: Well, we've also seen Nina Garcia do her little wave 100 times, but that doesn't mean I can't enjoy it. And we've never seen the team challenge where the lady named after a tabletop game falls apart at the hands of Thurston Howell. Also, weren't you touched by Seth? What a gentleman not to sell out Anthony, when it was clear he had nothing to do with those looks. Makes me think he gets high a lot and preserves a permanent mellow.
Jessica Grose: I am somewhere in the middle between Hanna and David—I thought the episode was more sparky than the premiere but less interesting than last week's burlap-sack challenge. I knew it was going be a magnificent disaster when Ping said into the camera, with a straight face, "I am very good at giving clear instructions." However, I wish they had made more use of the Met, which has so many better sources of inspiration. It's a frickin’ art museum! I don't know why they're being painfully literal this season—make a dress out of a burlap sack! Design clothes that are inspired by ... other clothes! I wasn't even very impressed with the winners—but more on that later. What did you think about the rest of the clothes?
D.P.: Maybe it's how everything was filmed, but I thought this was an indistinct, blah bunch of outfits without a surprise in the bunch. (But let me just take a quick bow. After Episode 1, I predicted Ping's ejection in Episode 3.) And you're right, Hanna. Though I continue to wish Anthony back to the dinner theater he has escaped from, his McDonald's line was one of the funniest moments in Project Runway history.
Mila's victory was deserved, don't you think? She's a festering, vicious, open sore of a person, but I sympathize with her. I'm turning 40 this weekend, and seeing her, at 40, looking as if she's a billion years older than the young hottie designers (Maya, Amy, annoying Janeane) really makes me root for her. And she's a hell of a designer. I love the way she always uses a flash of color to line the inside of her pieces.
J.G.: I have to disagree with you, David—strongly! I hated Mila's look. I thought it was reminiscent of a German street sign, and it reminded me of a dress that Kara Janx made in season 2 of P.R. that was inspired by “no trespassing” tape. Mila and Jonathan’s look for less made their model look like a pregnant teenage hooker.
H.R.: I understand the appeal of Mila's jacket, "sportswear-inspired," etc. But it was not a museum piece. And she is such a consummate underminer. I'm waiting for the day she has her Wintour-inspired fit.
I preferred Maya's skyscraper on the shoulders, and their second look was quite nice. In general, I thought this episode was heavy on jargon, maybe to make up for any instinctively pleasing looks—"signature," "multifunctional," "hard and soft," "luxury and fashion-forward." Also, I think the money threw them off—they had $500 to create their signature look. Designing on the cheap seems to give them a sense of urgency and freedom. This time they were weighed down.
D.P.: That sinuous, eel-like shoulder of Maya and Jay's dress was a highlight for me, too. So was Amy and Jesus' jigsaw puzzle dress and Mila's jacket. Everything else left me unimpressed. And a shocking number of looks gave the models big asses.
J.G.: I was really bowled over—as Nina Garcia was—by Maya and Jay's look for less. I thought the pleating on the bodice was miraculous.
D.P.: Before we go, I wanted to mention a new deplorable trend: Talking models. The emergence of Models of the Runway is really messing up P.R., since the girls now seem to feel they are integral to the show, not just decoration. Last week they were the clients. This week, Ping's model sassed. Next week it will probably be Freaky Friday, with models and designers changing jobs.
H.R.: I have a different pet peeve that's been bugging me all season: the endless hugs. It used to be they hugged each other only when someone got kicked out. Now they've lowered the hug bar. They hug all the freaking time. I don't know whether it's gay Anthony; or whimpering, needy Janeane; or stoner Seth. But they are always hugging. Is this increasingly true on all reality shows, and I just never noticed?
-
sponsorship
After each episode of Project Runway’s seventh season, a gaggle of Slatesters will gather to dish about the show. This week, the challenge was to make a party dress out of burlap sacking. Jay Nicolas Sario was the winner, and Pamela Ptak was sent home.
Hanna Rosin: Now that's a Project Runway. A fantastic challenge, executed in many interesting and surprising ways. A little bit of hating and drama. Ass flaps and a flash of nipple. Plus, I think they made the wrong decision on both sides, which always gets me exercised. But before I get critical, didn’t you both think that was the best challenge in a long, long while?
David Plotz: I totally agree. Those were stunning dresses tonight, and so environmentally friendly. It was locavore fashion, consuming low on the food chain.
June Thomas: I wish it had been one step further from "make a pretty dress," since it was basically "make a pretty dress in a difficult fabric," but I agree that it led to some gorgeous garments (and a few monstrosities). And it was worth it to see Tim Gunn's full-body shudder when Jay did a cartwheel in the muddy field.
H.R.: What do you mean, one step further? Isn't it always effectively make a pretty dress? That was burlap, for God's sake, as old as Moses, as Emilio said. And it produced a handful of amazing dresses in many shades.
J.T.: I like an unusual materials challenge, but I prefer it when they have to make a beautiful garment out of something that isn't fabric—like groceries or parts of a car. One definite upside of the challenge was that the material took dye so well—some of the colors and effects were truly spectacular. I really loved Amy's petal effect, for example. The trick of making a really sophisticated look from a very basic fabric was a good one, but I wanted to see them braiding fronds that they grabbed from a florist’s stall or the sweepings from a hairdresser's salon.
D.P.: Michael said of Mila's dress, "The boys will like it," and speaking for the boys, I certainly did (though I found the repeated blurring of the model's right nipple irritating). Mila has the potential to become reality-TV royalty. Her apparently vast talent is inextricably knotted to a seething, passive-aggressive fury. Did you catch that moment, after her model abandoned her for Anthony, when she hissed at him, "It's funny she would pick you over me." Anyone who says "it's funny" like that is someone who would push you under a truck. Yet that very reservoir of rage must drive her, because she certainly made a knockout dress.
H.R.: Oh, David, you are so harsh. A girl needs to process. It's humiliating, having your half-starved, no-talent wench of a model leave you standing out there in the hayfield, the wind whistling past. She had to take it out on someone.
J.T.: At first, I thought that Mila was wasting energy stressing out about something a model had done (and taking it out on Anthony was smart if you're "playing the game" and messing with your opponents' heads, but it’s not at all fair—Anthony hadn't done anything to make Mila's model bail), but I agree, it helped her get to her rageful place, which is apparently where her creativity resides.
D.P.: And it sure didn't hurt Anthony, whose red dress was a legitimate contender for the top three, I thought.
A moment about my favorite dress of the night. Amy's burlap flower was incredibly brave. It made the fabric do all the work. And the dye job—a frame of black, fading into a mist of brown, fading into the tan burlap—mesmerized me. That was the coolest bit of work of the night.
J.T.: I also would've given the nod to Amy for the petals, the subtle styling on the halter straps that Lauren Hutton pointed out, and the way she made this very stiff fabric seem soft and flowy. I was not as wowed as the judges were by Mila's look—there sure was a lot of burlap covered up on that dress. Of course, it was tight, short, and shiny, which are Heidi's three favorite qualities in a garment. Jay's feathers did nothing for me—partly, I think, because his dye job was so dark, so the fiddly bits really didn't show up well on television.
Seth's hooded dress was exquisite. And I speak as someone who does not care for his self-presentation (though his hair was less offensive this week). I know I shouldn't be so affected by the way the designers dress themselves on the runway, but I can't help it. I loved Jonathan's vesty look—very Simon Baker in The Mentalist—and Jesus' bow-tie was adorable.
H.R.: I'm with you on Seth and Amy. Especially Amy. I was way more impressed by her ability to transform burlap into something flowy and subtle than by those tedious black feathers. And you have perhaps hit on why they did not kick out Jesus—that cute baby Elvis meets Pee-wee Herman look.
I'm still a little puzzled about why the judges are giving Ping such a wide berth. That was a tedious, ill-fitting dress. And the model's crack was showing, a fact the camera emphasized several times. Is it just the comic relief? Or is there some potential there?
J.T.: Ping not being sent home for that garment is one of those decisions that makes me doubt the integrity of the competition. That skirt was an abomination. I am grateful for the new insult "ass flap," but I don't ever want to see another. That was not "edgy," as one of the judges suggested; it was ugly, amateurish, and ugly again. (And her model was an idiot to stick with her—she had the chance to go with another designer, and she should have.) It must be producer manipulation. Next week is a team challenge, so the producers knew that whoever was paired with Ping would be in for a whole world of drama. I can see no other reason to keep her.
D.P.: It is mysterious that they booted Pamela Ptak (I just like writing her name), when they could have booted the ass-flashing nursery-school project that Ping made, or the second astonishingly tedious dress from Jesus. Incidentally, Jesus has now referred to himself in the third person two weeks in a row, which is in itself justification for expulsion.
J.T.: Third-personification apart, what did you think of the judges' critique of Jesus' dress? It's legitimate to ding him for covering up too much burlap, but I thought they were wrong to say that his dress was "mundane and matronly" and to complain about the colors. Maybe he used too much ribbon, but I thought it looked great—the undulating layers of that beautiful green color really popped against the brown. It felt very painterly to me.
H.R.: Jesus is not going to rise to the occasion, designing as he does for his mom's friends. His future is at the neighborhood hair salon. I felt the same about the winner. I understand the value of the trickery—making burlap look like feathers. But the final result was not all that interesting—not nearly as edgy as Mila's, or as nice as that pair of red dresses, or even that bitchen Red Riding Hood get-up from Seth.
D.P.: Seth. I'm beginning to hate that guy. Did you catch his snigger at Ping's bare-ass dress?
H.R.: Also, the dude wears nail polish. David, could you ever love a man who wears nail polish?
J.T.: I would've kept Pamela over Ping, but the ass-magnification powers of Pamela's dress were spectacular. Too. Much. Butt. And I know she was very proud of producing a color that evoked denim, but many of the other contestants created more interesting shades.
H.R.: Well, June, you can't complain about Pamela's dress and forget what Michael Kors said about Jesus' dress. Too. Much. Butt. juxtaposed with No. Butt. At. All. The colors were fine by me, but I hated that ass-ymmetry. Especially on the back side.
JT: I was not in love with the back of Jesus' dress. All that focus on the zipper was a very bad idea.
D.P.: Not to reveal my mannish ignorance too much—keep in mind that I did not know the difference between a skirt and a dress until I was 21 years old—but what the heck is hambre or ombre or hombray? And why were we supposed to be so impressed that Ptak was ptakking it?
H.R.: Well, hombre. It's o-m-b-r-e. And here's a video demo. It's sort of like making Jell-O, and then dipping fabric in it. I've tried it before, but I ended up with colors nothing like those nice reds and grays.
D.P.: Is it too early for us to predict our top three for the season? I don't think so. I have my money on Amy, Emilio, Mila, and Seth. You ladies care to join me?
H.R.: Uh, that's the top four, David. Harder to pick three. I'll knock Mila off your list, since Tim Gunn complained about having too many women last time.
J.T.: My ridiculously early pick for the top three would be Emilio, Seth, and Amy. How spooky that we all predict the same Fashion Week finalists, but remember, there are lots of designers whose work we really haven’t seen yet.
Previous chats: Week 1
Click here to comment on this post.
-
sponsorship
After each episode of Project Runway’s seventh season, a gaggle of Slatesters will gather to dish about the show.
June Thomas: The first week of Project Runway is always a bit of a blur. The producers have to introduce 16 designers—and get them down the runway. That doesn't leave a lot of room to signal who's the kook, who's the no-hoper, and who's the bitch. But this episode was particularly turbo-charged, and it was great.
There was a lot less of the manufactured suspense that we're used to having in the announcement phase. Instead of a lot of shots of Heidi looking sadistic and the contestants looking nervous, Heidi just announced the winner (congratulations, Emilio Sosa), and a minute later, it was “auf Wiedersehen, Christiane King.”
Hanna Rosin: I have to say, I could have used a little more tension. As a challenge, "make a dress that reflects your design aesthetic" was a little flat, the equivalent of my editor telling me, "Write something." It's as if, after the disaster of last season, they have to remind us of the original formula, "make it work" and all.
That said, they did wring some drama out of Janeane Marie Ceccanti and Seth Aaron Henderson. She is like a walking Abilify commercial, and you can't imagine her making it through the season. Her outfit was also utterly forgettable, practically institutional.
Seth was the surprise of the evening. The whole episode I was trying to pin him down. Is he Pirates of Penzance? Vegas lounge lizard? Dan Zanes? It never occurred to me he would make a fine dress. Did you guys like the dress, by the way? The back was lovely, I thought, but the front was straight out of the Delia's catalog.
David Plotz: June and my beloved wife, Hanna, I'm honored if a little scared to be permitted to bring my Y chromosome to this discussion. Lifetime's commercials—vitamins specially formulated for women, weight-loss pills for women, calcium for women, cereals for fat women, hair-care products for women, based-on-a-true-woman’s-story movies (The Pregnancy Pact!) suggest that I am not Project Runway's target audience. But if Slate can have three women write about Friday Night Lights, it can certainly allow a guy into the Project Runway conversation.
Seth's gingham milkmaid hooker dress didn't interest me as much as his architectural hair, which was not even the most vertical of the Season 7 men’s, suggesting we have finally reached the grim cultural moment when men spend more time on their hair than women do.
Heidi, who seems to be a one-person pregnancy pact (what is this, her fourth kid?), seemed a little more robotic than usual in the premiere. She's surely bored with saying exactly the same thing week after week, season after season, and I felt like her boredom was showing. I don't know how many more seasons they can do with exactly the same formula, same words, same catchphrases, same everything.
J.T.: David, I think it can go on forever as long as they sign up talented contestants and the judging makes sense. After all, we tried change last season, and look how that worked out.
I did not think that Seth deserved to be in the top three, but perhaps that's because I'm sad that the judges like him. One look at the way he styles himself—I swear his runway outfit made him look like the ringmaster in a satanic circus—and I immediately took against him. But every reality show needs someone viewers love to hate. (I did like the back of his dress, well, other than that monstrous red zipper. I hated the fabric, though. It read very old-lady to me.)
Let's talk about the winners and losers. In every Week 1, only six of the contestants count: the top three and the bottom three, whose dresses we actually get to see for more than a millisecond. The rest are just extras.
I was glad Emilio won. He seems like a nice guy, but most important, he made a beautiful dress that was lovely to look at and showed off his technical skills. It was another short challenge, which is something I don't care for in general—would it kill the producers to give the designers enough time to think and to make properly finished garments?--but it did separate the contestants. In just over a day, Emilio managed all manner of braiding and appliqué and complicated inlays. The dress looked like something young women would want to buy, but it also had an expensive, high-end look. In fact, it was one of my all-time favorite Project Runway dresses.
D.P.: Totally with you on Emilio. Loved the dress. The other designer I wanted in the top three was Anna Lynett, the artist who made that very sunshine-y cute dress.
H.R.: June, you say only the top and bottom three matter. But I thought there were some real doozies that got away. Jay Nicolas Sario—one of three people on the show to refer to himself in the third person—had that dress with poof-balls stuck on it, an homage to paint-ball victims everywhere. And right after that came Pamela Ptak's pink flying nun. Those two definitely stuck with me.
J.T.: At the bottom of the pack, I would have been fine with any of them going home.
The judges were right about Jesus Estrada’s dress—not sexy, not fashionable, dated—but I kind of liked the chiffon train. Anthony Williams was safe because he brought the sound bites—“I’m sweating like a Baptist preacher”—and made a naked appeal to demographics when he described himself as "black and gay in the ghetto" and started ragging on the Miss America pageant. But he got the worst note that the judges can give: They questioned his “taste level.”
D.P.: I am already over Anthony, who seems like a character in a canceled sitcom. Ping Wu, too, is going to wear out her welcome soon; she’ll probably be auf'd by Episode 3. I'm most looking forward to either the success or failure of Type A egomaniac supervillain Pamela Ptak (who probably fired the other vowels in her last name just to keep the "a" in line). Her pink dress, with its gasp-inducing absence of a back, had the odd effect of making her model look simultaneously naked and fat.
J.T.: Ping is clearly this season's wacko—and although I can't see her lasting too far into the show, she's interesting and amusing, and she certainly has a point of view.
H.R.: I was sure that Ping was going to end up like Elisa, that yoga freak from Season 4 who spit on her fabrics. Especially after she started dancing in front of the mirror and giggling into her wrist like a Japanese teenager. And that weird tea cozy head thing? Her outfit did not translate on TV at all. It was impossible to discern its construction; it could have been strung together by that single suspender for all I know. But then the judges decided it had a kind of eccentric Rei Kawakubo charm and declared her the artiste of the show. To me, it was a lesson on the arbitrary nature of taste. It really could have gone either way.
J.T.: I totally thought of Elisa the spitter when I saw Ping. Despite being the contestant who appears to have the least-developed command of English, she spun a good story about her clothes. That always wins over the judges—and it does feel like a necessary talent for someone who wants to be a "real" designer. High fashion can be very conceptual. If you can conjure a whole world for your clothes to fit into, you can get around that whole "wearability" question.
H.R.: Yes, June, but isn't that where Brüno comes in? ("My collection is all about stones and hopping toads ...") And remember what happened to Malvin the egg man from last season? He was high concept, too.
J.T.: Christiane was the first person to be kicked off the show. Her dress was just too generic (and the blue fabric was garish—that old "taste level" thing again). Project Runway is a tough place for black women—I'm still feeling bad about Korto’s fate in Season 5—but Christiane’s outfit was boring and badly made, and that should earn you a ticket home.
H.R.: I have to bring up the subject of ethnic hierarchies on the show. They do seem to prefer the Persians. The woman who sewed my wedding dress was a Persian seamstress, so I understand it’s in the blood. But the show seems to accord the Persian women a certain authority and respect. Other ethnics, meanwhile—Ping, Anthony, Jesus—are played for comic relief.
Click here to comment on this post.
-
sponsorship
"It'll be better next time" is a phrase that rarely brings the reassurance the speaker intends, but it's the best thing that can be said for Project Runway. The book is now closed on Season 6, which was beset by legal problems, second-rate contestants, uninspired challenges, inconsistent judging, absent judges, too many one-day contests, and the wrong venue. Let's pretend it never happened and hope that Season 7, back in New York and with Michael Kors and Nina Garcia guaranteed to be on hand for all the challenges, will induce a case of selective amnesia.
But first, the formalities: Thursday night brought the second part of the finale (and someone needs to tell the folks at Lifetime that "finale Part 1" is like "a little bit pregnant"—it is or it isn't the finale), and there was only one question left unanswered: Who would win? The collections had been out there since the Bryant Park shows back in February, and Tim Gunn had explained the meltdown shown in Lifetime's promos for the finale in a fabulous interview with the Los Angeles Times. After an avalanche of faint praise (Nina Garcia, "I thought they all put a lot of time and effort into their collections"; Heidi Klum, "It really looks finished"), Heidi named Irina Shabayeva this season's winner.
Despite Irina being the clear favorite going into Fashion Week, her victory was by no means assured. The judges praised Althea's coolness and her talent for connecting with "the street." They enjoyed Carol Hannah's impeccable draping and tailoring and her willingness to play with color (at least in comparison with the others—the whole show was like a scene from Pleasantville). What won it for Irina was that her collection was the most cohesive. Too cohesive, perhaps—every single garment was black, which doesn't photograph well. As Nina Garcia observed, "It gets very little editorial, black." Still, Irina had a story—"My collection is all about New York. ... What it takes to survive in this city as a woman. It's about comforting and shielding yourself"—and she paid attention to detail. She was the only designer who had made hats to accompany her looks, for example, and, overall, her pieces looked as if they belonged in Bryant Park rather than at a high-end fashion show in a suburban mall.
Still, there is one unresolved issue. As Tom & Lorenzo, the kings of Project Runway commentary, revealed earlier this week, the T-shirts that garnered Irina so much praise weren't exactly all her own work. The slogans were copied from "Reasons To Love New York," a December 2008 piece in New York magazine.
Oh, Gucci, maybe Season 6 isn't over yet after all.
Previous Project Runway Recaps: Week 1, Week 3, Week 4, Week 5, Week 6, Week 7, Week 8, Week 9, Week 10, Week 11, Week 12
Click here to comment on our Project Runway recaps.
-
sponsorship
The final challenge involved a trip to the J. Paul Getty Museum, where the designers were told to create a look using the Getty Center as inspiration.
Only three of the five remaining contestants could go on to Fashion Week in Bryant Park, and they didn't make the judges' jobs easy. John William Godward's sexy 19th-century painting "Mischief and Repose" inspired Irina to create a dowdy below-the-knee dress in what looked like sea-foam crepe; an ornate French bed led Carol Hannah to design a full-length gold gown; and the Getty's architecture drove Althea to produce a pleated-pattern skirt that, according to Tim Gunn, looked like "a panel of puckering." Nevertheless, they won the right to show 12 designs in New York.
Christopher stared at some algae-spotted rocks and conjured a garment typical of his style: a cute top paired with an unnecessary corset and an absurdly heavy stiff long skirt. Gordana was inspired by Monet's The Portal of Rouen Cathedral in Morning Light to make a gorgeous dress in silk organza that everyone agreed was both beautiful and clearly connected to the original painting. They were the final designers of the season to hear Heidi intone the words, "You're out."
Stats
Number of times Tim Gunn said, "Make it work!": Tim was far too busy reminding the designers how much was on the line to utter those three little words.
Number of crying contestants: Even Irina got a catch in her throat. Who would've thought that Althea was the most tear-resistant contestant!
The Contestants
Gordana may have lost her grip on the fan favorite prize this week. She and Irina ganged up on Carol Hannah, and she didn't thank the judges when she bade them "Auf Wiedersehen." But her biggest error was to make too much of her humble origins in the former Yugoslavia. Believe me, I know very well that the race of life has a staggered start, but her rivals were a self-taught gay man from the sticks of Minnesota; an autodidact from Charleston, S.C.; a big-haired bottle blonde from Dayton, Ohio; and an immigrant from the Republic of Georgia. Not exactly the Harvard Sewing Class of 1999.
The Judges
Talk about womanpower! With Michael Kors absent, and only one male contestant in the final five, Episode 12 was an estrogen explosion. Fashion designer and former Design Star judge Cynthia Rowley and "supermodel and style icon" Cindy Crawford took their places next to Nina Garcia.
The panel didn't make much effort to disguise their true feelings. The praise for Irina's ugly dress was comically faint: "I liked the inspiration that she chose" (Rowley); "She had a very clear vision, and it definitely did refer to the painting" (Crawford). Nina didn't even dissemble, declaring it "very old lady." Irina is the clear leader of this year's middling pack, but if this had been a normal week, she would have made her first appearance in the bottom three.
I hear America screaming: When Nina confessed, "I don't know who Gordana is as a designer," you could hear Project Runway viewers across the land yell, "Maybe that's because you missed five weeks of judging!"
Did the judges send the right people to Fashion Week?: Yes. It has been a mediocre season, but the three designers who are heading to Bryant Park are the ones with the strongest points of view. I haven't liked a single outfit that Althea has made, but aesthetically and trendwise, she fits into the fashion world far better than Christopher or Gordana.
Bold prediction for who'll take the big prize: At this stage, the smart money has to be on Irina.
Previous Project Runway Recaps: Week 1, Week 3, Week 4, Week 5, Week 6, Week 7, Week 8, Week 9, Week 10, Week 11
Click here to comment on our Project Runway recaps.
-
sponsorship
June Thomas is out of the office today, so Torie Bosch is filling in for this week's Project Runway recap.
Is it almost time for Bryant Park yet? Everyone seems to be running low on fresh material this week. The bad-tempered designers are accusing one another of swiping ideas, and the challenge itself is to "create a new look based on your best look." That's "best look" as defined by the judges, and a dreary collection of garments it is. There's not a single vibrant outfit, as each is gray, black, or brown. Surprisingly, no contestants quibbled with what the judges determined to be their best work of the season. I expected more whining.
Althea's high-waisted black pants, which bloused out before hugging the calf, gave her the win. Logan's attempt to complement his silver-and-black gown from Episode 1 resulted in something from a bad sci-fi movie, and he was booted.
Stats
Number of times Tim Gunn said, "Make it work!": Nada! Though we did get a clipped "Use your time exceedingly well." Maybe he's testing new catch phrases.
Number of crying contestants: None! Carol Hannah spent much of the episode looking on the verge of bursting into tears at any moment, but perhaps her eyes were just irritated by mounds of liner and eye shadow.
Was Logan shown sans shirt? Nope! The PR gang didn't even give us a chance to say goodbye to the pecs.
The Contestants
Each voices some variant of the phrases "The pressure is on" and "It would be awful to make it this far and be sent home," which is a bit of a head-scratcher. Hasn't the pressure always been on? In the early episodes, doesn't everyone say how terrible it would be to get auf'd before showing what they can do?
Our designers can barely stand the sight of one another at this point. Althea and Logan bicker about whether her pants look like the jodhpurs that got Malvin canned. (They do, a little.) Irina asks of Christopher's look, "Why is one dress throwing up the other?" Althea accuses Logan, without actually saying it to his face, of copying the zipper collar she created for the Christina Aguilera challenge. During a meal break, she and Irina engage in a low-voiced hate-chat about how much they loathe Logan while shoving food in their mouths, but Althea apparently realizes later that she overreacted. In a talking-head, the fury seems to have passed: "I was a little annoyed, but I personally like how I used it better anyway, so. ..." Later, Irina complains that Althea stole her idea for a voluminous sweater and refuses to help Gordana locate a hook-and-eye.
It's clear Gordana is going to be at the bottom from the moment pictures from her childhood in the former Yugoslavia are flashed on the screen. Those forays into the designers' personal lives are a clear indicator that someone's struggling. Touching back story = weakness.
The Judges
The game of musical chairs continues. Michael Kors is nowhere to be seen, but Nina is in town and cranky as ever. Sitting in for Kors is Season 2's Nick Verreos, whose orange face I'm happy to see again. And as guest judge we have actress Kerry Washington. Her critiques are thoughtful and on point, but she can't match Nick, who's been practicing his zingers. Gordana's black skirt and gray blazer, he says, would look right on "an office worker in Warsaw, Poland." Yikes.
In a heated exchange, Nina and Heidi disagree on Irina's luscious brown outfit, with a brocade dress and oversize cardigan. Nina thinks the dress is too tight, making it look a bit cheap; Heidi would beg to differ. While the exchange was perfectly polite, their faces were chilling. Perhaps the tension was merely an expression of how fed up they were with the crabby designers: Althea and Irina made veiled, passive-aggressive references to the Great Collar and Sweater Idea Theft of ‘09, and Logan committed the fatal error of admitting, before being asked a single question, that his look was "on the brink of costume." Have you learned nothing, Logan? Don't feed the judges their lines!
The Results
Garment of the week: Irina's. I'm a sucker for that warm brown, and the too-snug brocade dress was pretty. Plus, the other five looks were drab, ugly, or both. The fatigue from sleep deprivation, total isolation, and constant demand to come up with new ideas-and the awful challenge of revisiting old looks-is showing on all of them.
Should Althea have won? No, those pants were dreadful. While the judges praised Carol Hannah's little black dress as something "we all could wear," perhaps a dozen people in the world could sport Althea's look without appearing foolish.
Should Logan have been eliminated? While his look wasn't quite as "innovative and out there" as he claimed, Gordana should have gotten the boot for her "sad, drab, and dated" creation, as Heidi said.
Bold prediction for who'll be auf'd next: Gordana. She seems to have given up-just let her go home.
Previous Project Runway Recaps: Week 1, Week 3, Week 4, Week 5, Week 6, Week 7, Week 8, Week 9, Week 10
Click here to comment on our Project Runway recaps.
-
sponsorship
For the "Michael Kors challenge"—so named because the assignment was handed out in Kors' Rodeo Drive boutique—the designers had to choose one of seven possible locations and design a look that "embodies who you are as a designer and also embraces that locale."
Irina won for an outfit fit for an Aspen ski lodge—brown jersey pants; a knit top with three-quarter sleeves, a huge cowl neck, and an open back; and a faux-fur vest. Nicolas was eliminated for a wrapped white shirt and tight gray pants that evoked nothing whatsoever of Greece.
Stats
Number of times Tim Gunn said, "Make it work!": Zero. That phrase is, like, so Bravo!
Number of crying contestants: Christopher is perpetually on the verge of tears, but guest judge Milla Jovovich came closest—she broke down at the very thought of sending someone home.
Logan sex object watch: This week, there were way too many design disasters to waste screen time on a silly subplot.
The Contestants
The judges didn't see Santa Fe in Christopher's ensemble, but they also failed to spot the subconscious inspiration for the white shirt, blue top, and beige skirt that he produced: Snow White. Meanwhile, the contestants turned into the seven dwarfs: Bitchy, Peroxidey, Greasy, Raccoony, Sexy, Self-Deprecating, and Lost.
The Judges
Hallelujah! For the first time since Week 2, the dream team of Klum, Kors, and Garcia reassembled. In the guest spot, actress and designer Milla Jovovich was constructive and informed.
The designers must be physically and creatively exhausted, because many of them sent very basic, uninspired clothes down the runway. And the judges certainly noticed. Nina asked Nicolas, "Why would I want to go into a store and spend my money on this?" Faced with Logan's bland white jeans, tank top, and vest ensemble, Michael Kors declared, "They're clothes. They're not fashion." The same outfit drove Jovovich to declare, "Listen, if this was called Project I Didn't Mind It, he would win."
The Results
Garment of the week: Carol Hannah's Palm Beach look was striking, though I liked that dress even better the first 10 times Uli made it on Season 3.
Should Irina have won? Eh. Her symphony in camel was a very literal interpretation of Aspen luxe, but she produced three well-fitted and impeccably finished location-inspired pieces, which is at least two more than the other contestants managed.
Should Nicolas have been eliminated? For sure. He completely ignored the assignment. Michael Kors was right when he told him, "You got the wrong Greece. [This was] Grease the movie."
Bold prediction for who'll be auf'd next: Christopher. Even with this season's wackadoodle judging, a string of four consecutive bottom-three finishes has got to be considered foreshadowing.
Previous Project Runway Recaps: Week 1, Week 3, Week 4, Week 5, Week 6, Week 7, Week 8, Week 9
Click here to comment on our Project Runway recaps.
-
sponsorship
This week's challenge was to design an extravagant stage look "in the style of Bob Mackie" for Christina Aguilera. Mackie—the designer of over-the-top costumes for Cher, Tina Turner, and many more—told the designers to create a "staggering" look that could be seen from "miles away."
Carol Hannah won for a long black dress that combined sequins and feathers. Shirin was eliminated for a long black dress with white sheer and sequin inserts that Tim Gunn dubbed "Guinevere meets Vampira."
Stats
Number of times Tim Gunn said, "Make it work!": Zero.
Number of crying contestants: Zero. Shirin was too stunned to so much as sniffle.
Logan sex object watch: Carol Hannah admitted to being distracted by the man at the other end of her work table. She gushed, "Logan's my friend ... who's really hot." (If only he had a personality to go with those looks.)
The Contestants
Apparently, excessive exposure to sequins and shiny fabrics can be detrimental to designers' judgment. Only Nicolas and Irina seemed to realize that Aguilera's performances might involve dancing. Nina accurately pegged Christopher's bustier and sparkle pants as a tame retread of Aguilera's 2001 "Lady Marmalade" look.
Nicolas' first nondeluded observation of the season: "Irina's a really good designer. The problem is she's such a bitch."
The Judges
Qué alegria, Nina Garcia was back! Bob Mackie warmed Michael Kors' chair, and Christina Aguilera was a gracious guest judge.
Most passive-aggressive compliment of the evening: Nina to Althea, "It's a nicely made dress. I don't know if you thought if she might have to move and that a train might be cumbersome?"
Bob Mackie's philosophy in brief: "Onstage, a short dress can go right up to the crotch and be perfectly fine. Put diamonds on the crotch, and you're home free."
The Results
Garment of the week: This challenge played to Nicolas' costuming strengths. He clearly understood Aguilera's taste and needs, and after a parade of somber, black numbers, Aguilera seemed grateful for his "fun" outfit. Mackie praised Nicolas for making a dress suitable "for a singer who needs to get around the stage fast and dance and move."
Should Carol Hannah have won? No. Her dress was too dark, too heavy, and too figure-concealing. The combination of textures Mackie enjoyed so much wouldn't be visible three rows back, much less from the third level of a stadium.
Should Shirin have been eliminated? No. Her dress was completely inappropriate for Christina Aguilera, but this was her first stumble in the competition. Christopher's cheap, poorly fitting, ill-conceived ensemble marked his third consecutive appearance in the bottom three.
Bold prediction for who'll be auf'd next: All those bottom-of-the-pack finishes would suggest Christopher is doomed, but recent eliminations have been so random, the judges may as well be pulling names from the button bag.
Previous Project Runway Recaps: Week 1, Week 3, Week 4, Week 5, Week 6, Week 7, Week 8
Click here to comment on our Project Runway recaps.
-
sponsorship
Finally, the designers were untethered from their models. They were tasked with transforming the wedding dresses of recently divorced women into hip, cool outfits. (Tim Gunn's announcement, "Designers, I'm sending in your divorcées," was funny only the first three times he said it.)
Gordana won for a pieced dress made from the lining of her client's gown, which she dyed gray. Epperson was ejected for a garment that looked like a shortened wedding dress with a few strips of black binding sewn in the middle—it reminded one of the judges of "a pirate's wench."
Stats
Number of times Tim Gunn said, "Make it work!": Two. (Shirin said it twice, too.) This episode's theme was recycling, after all.
Number of crying contestants: One. Shirin, who had the least yardage to work with and a fabric that couldn't be dyed, wept through Tim's pep talk.
Logan sex object watch: This week no crushes were revealed or flesh exposed, but the only possible explanation for Logan avoiding elimination is that his pheromones befuddled the judges.
The Judges
Hallelujah, Michael Kors was present for the second week in a row! Marie Claire's Zanna Roberts and Jimmy Choo founder and president Tamara Mellon rounded out the panel.
Heidi must be feeling homesick: Epperson's and Logan's outfits both made her think of Oktoberfest.
The Results
Look of the week: The most striking outfit from this challenge was a bad one: Nicolas created green trousers, a brown top, and a white vest: an ensemble that would've looked passé at a Mormon Relief Society supper in 1975. He called his look "a hideous thing," and for once his self-assessment was accurate.
Should Gordana have won? Yes. As the judges said, her look was "edgy and chic," and her divorcée adored it. (So much for recent complaints that she's "just a dressmaker.") Shirin's dress, which used stitching to create a pattern, was creative and flattering, but her client found it a little too safe.
Should Epperson have been eliminated? No. His design was boring, but it was the least offensive of the bottom three. Logan's trouser look was poorly made and ill-conceived, and Michael Kors was dead on when he described Christopher's monstrosity as looking like "a metallic garbage bag tied in the middle."
Bold prediction for who'll be auf'd next: Nicolas. We're past the stage where contestants can be kept around for their loose lips.
Previous Project Runway Recaps: Week 1, Week 3, Week 4, Week 5, Week 6, Week 7
Click here to comment on our Project Runway recaps.
-
sponsorship
After a run of vague challenges, this week's assignment was pleasingly precise: Design two looks that are blue and consistent with Macy's INC International Concepts brand. The designers worked in teams of two—but unlike Week 3's tempestuous pairs challenge, the collaborations were relatively drama-free.
Irina won for a blue-and-white dress that Heidi declared "flirty and feminine." Louise was sent home after she and Nicolas—who had immunity—sent two ruffle-heavy garments down the runway.
The highlight of the show was the return of much-missed judge Michael Kors, which is a sad commentary on the bland designers.
Stats
Number of times Tim Gunn said, "Make it work!": Zero. That old, tired catchphrase is but a distant memory.
Number of crying contestants: One. Christopher was so verklempt that he couldn't defend his garments against Michael Kors' vicious onslaught. Louise's eyes were slightly damp, but she seemed relieved to make her exit.
Logan sex object watch: Mr. Neitzel didn't get much air time—but enough for Gordana to confess: "We all think he's hot. The boys like him as well." At this point, Epperson is the only human being in greater Los Angeles who hasn't declared his lust for Logan.
The Contestants
Strangest revelation: Louise makes chicken noises while she works.
Irina's audition for the role of "bitchy guest judge": "[Carol Hannah and Shirin's] stuff looks like it was bought in a discount store. It's very '$10 shirt on sale for $5.99' kind of thing."
The Judges
Michael Kors was back and oranger than ever! Sitting alongside the top American designer were Marie Claire's Zanna Roberts and Macy's executive Martine Reardon.
Those five weeks in spray-tan seclusion brought out Kors' mean streak. But give the man his due: Every barbed arrow was right on target.
How Kors saw the outfits: "looks like a bridesmaid's dress with a shower loofah ruched up the front of it"; "looks like a tablecloth"; "looks like a librarian's shirt dress from 1979"; "looks like a teal charmeuse disco pumpkin."
Not to be outdone, Heidi harshed out. Her most devastating critique was of a detail at the neckline of Christopher and Epperson's disco pumpkin top: "It's kind of like she was eating lobster, and she put this in there, and she forgot to take it out." (For me, it was more like the ruffs that Justices Sandra Day O'Connor and Ruth Bader Ginsburg pulled from the Supreme Court accessories wall.)
The Results
Garments of the week: Althea and Logan were ignored in the workroom, so it was clear they were safe, but why? The tarty business suit with the skirt that slowly insinuated itself into the model's butt crack was the tackiest and most inappropriate outfit of the challenge, and their ill-fitting trouser look stretched the dictionary definition of blue.
Should Irina have won? Absolutely. She combined textiles and fabrics to create a gorgeous pattern, and she made a well-cut dress that looked fresh and seemed appropriate for the INC brand.
Should Louise have been eliminated? Yes. Her designs didn't reflect the brand aesthetic. After noting that the line was simple almost to the point of austerity, she produced a ruffle-fest.
Bold prediction for who'll be auf'd next: Gordana. The "next week on Project Runway" teaser showed her on a tearful phone call with her family, which is often a foreshadowing of doom. Nicolas deserves to go, but the producers love his demon dishing.
Previous Project Runway Recaps: Week 1, Week 3, Week 4, Week 5, Week 6
Click here to comment on our Project Runway recaps.
-
sponsorship
A Hollywood challenge! The contestants were asked to create a look inspired by a movie genre—action/adventure, film noir, period piece, Western, or science fiction.
In Nicolas' elaborate back story, his ice queen failed to gain control of the universe, but the white lace ensemble he designed for her managed to win over the judges. Ra'mon made a dress for Lola who "left her home planet, where all of her people are reptiles, and has come to Earth to ... quench her insatiable desire for men." The concept was sexier than the dress, and he was sent home.
Stats
Number of times Tim Gunn said, "Make it work!": Zero. Has he finally shed his tired old catchphrase?
Number of crying contestants: One. Louise seemed sadder to survive elimination than Ra'mon was to say goodbye.
Did Logan keep his shirt on? Yes, but that didn't stop Carol Hannah from mooning after him. The man has the power to bewitch models, judges, and fellow contestants.
The Contestants
Unsolved mystery of the week: Who is the bobbin thief?
Least convincing concept: Gordana claimed that her flapper dress was intended for a woman who "discovers oil, and this is the first time she's coming out in society." I think I saw that movie: There Will Be Fringe.
The Judges
Keeping track of this season's judging is like monitoring a kidnapping. It has been five weeks since the last Michael Kors sighting and three weeks without Nina Garcia. Their seats were warmed by designer John Varvatos and Marie Claire editor Zoe Glassner, who has worn out her welcome; the guest judge was costume designer Arianne Phillips. The critiques are a lot less fun without Kors and Garcia, but with such a conceptual assignment, consistency was less important this week.
The Results
Garment of the week: How to compare a slutty saloon girl to a pleather-clad action heroine? This challenge brought out the ugly.
Should Nicolas have won? Just as a stopped clock is right twice a day, a cheap-looking lace garment will eventually win a challenge. Nicolas deserves credit for creating a fully fleshed-out mythology.
Should Ra'mon have been eliminated? Yes. He pulled off an amazing last-minute save in Week 3, but his lizard-people creation was beyond redemption.
Bold prediction for who'll be auf'd next: Gordana. The judges have pigeonholed her as a dressmaker rather than a designer.
Previous Project Runway Recaps: Week 1, Week 3, Week 4, Week 5
Click here to comment on our Project Runway recaps.
-
sponsorship
Praise Prada, finally a slightly unconventional challenge. The contestants schlepped out to a Los Angeles Times printing facility so they could gather materials to "create a design using newspapers as fabric." (Doesn't the LAT deliver anymore?) Unfortunately, as has so often been the case this season, the assignment was maddeningly vague.
Irina won for a stunning trench coat with a faux fur collar and sleeves made from crumpled newsprint. Johnny was eliminated for a lazy, last-ditch effort that looked like a less-chic version of Lisa Simpson's shift dress.
Stats
Number of times Tim Gunn said, "Make it work!": One.
Number of crying contestants: One. Johnny bawled through his valedictory video.
Was Logan shown sans shirt? We barely glimpsed Logan, much less his bare chest.
This Week's Drama
During Tim's visit to the workroom, the magnificent mentor told Johnny (accurately) that his dress looked "like a craft project gone awry. It looks like a bunch of kindergartners did it." Johnny immediately consigned the dress to the recycling bin but later told his model that his first attempt had been ruined in a freak ironing accident, a lie he repeated several times, including on the runway, where another flight of fancy led him to describe his original creation as Dior-like. An eye roll from Nicolas led to an excruciating confrontation on the runway. When Tim bade Johnny a chilly farewell, he was clearly infuriated, telling the other designers, "I'm incredulous at that utterly preposterous spewing of fiction."
The Judges
Put out an orange alert: Where is Michael Kors? The top American designer was AWOL for the fourth consecutive week, and Nina Garcia sent in a sub for the second time in a row. It's hard to know whether these key judges' absence was caused by distance (their working lives are in New York, 3,000 miles from the runway) or contractual issues (Lifetime and Bravo were locked in a legal battle while this series was being filmed), but it's a problem. The rotating cast of judges has robbed the show of consistency. This week's panel consisted of designer Tommy Hilfiger, Marie Claire senior editor Zoe Glasser, and guest judge Eva Longoria Parker, who was classy and constructive. The rotating cast of characters must make it difficult for the designers to get a sense of what the judges are looking for.
Judging is always subjective, but some of this week's rankings seemed downright random. Gordana had a fully fleshed-out design concept: to use "unconventional fabric to make a conventional look." Instead of rewarding her vision, the judges dinged her for making a wearable dress that Heidi claimed to find boring. The fact that the garment was flawlessly constructed, had an interesting color story, and had no muslin infrastructure counted for naught, and Gordana ended up in the bottom three. Meanwhile, Althea's dress, which used a repeated image to create an architectural feel, was wildly overpraised. It had an appealing silhouette, but it was poorly fitted in the bodice, and muslin peeked out from under the hem. Despite her creativity and superior sewing skills, 45-year-old Gordana has twice been up for elimination. Is it crazy to blame ageism for her low scores?
The Results
Garment of the week: Christopher's full, feathered skirt flowed beautifully--and offered a dramatic contrast to the stiff, armorlike bodice. While most of the models minced rather than strutted down the runway to protect the fragile fabric, his strode confidently.
Should Irina have won? I was hoping for a tie with Christopher, but Irina deserved her victory. The coat had that certain je ne sais quoi. As Tommy Hilfiger gushed, it was "Coco Chanel meets St. Laurent meets Givenchy in the '60s and '70s."
Should Johnny have been eliminated? Without a doubt. Still, it's fun to wonder if Tim would have intervened if Nicolas had instead received Heidi's Kuss of death.
Bold prediction for who'll be auf'd next: Nicolas. The longer he stays, the more imminent his departure becomes.
Previous Project Runway Recaps: Week 1, Week 3, Week 4
Click here to comment on our Project Runway recaps.
-
sponsorship
In a season of insipid challenges, this was the dullest yet: Create an "eye-catching look" for the models to wear at "an industry event." Lifetime's investment in Models of the Runway and the rule change that guarantees a lot more model-swapping this season scuppered the challenge from the start. Since the models now needed all the designers to like them, they weren't going to bellyache about the design process, which is traditionally the most excruciating—and fun—part of the "crazy client" challenge.
Althea won for a cheap-looking black suit over an ill-fitting gray top. Qristyl was sent home for a tasteful but boring black jersey dress.
Stats
Number of times Tim Gunn said, "Make it work!": One. (Is it just me, or does Tim seem so over that catchphrase?)
Number of crying contestants: One. Epperson made like the ecological Indian after a phone call to his family.
Was Logan shown sans shirt? You know it.
Why Contestants Should Leave Judging to the Pros
Nicolas on Epperson's third-place garment: "[He's] going to be at the bottom. That just looks like a rag."
Irina on Althea's winning outfit: "Althea's looked like crap. ... It would've looked nicer if she had stapled it together."
The Judges
Where in the world is Michael Kors? He was absent for the third week running and sorely missed (most worryingly, Heidi has dropped the "sitting in for Michael Kors" locution); designer Marc Bouwer, the love child of David Sylvian and Iggy Pop, took his place. Nina Garcia was also AWOL, so Marie Claire editor Zoe Glasser subbed. The guest judge, "costume designer and top celebrity stylist" Jennifer Rade, distinguished herself by sexually harassing one of the contestants, telling Logan, "You're really cute, and I like your pants and your sneakers." In a season when some of the judges' decisions have been wackadoodle, it was downright stupid of her to suggest that she was taking his looks into consideration.
Tim Gunn's cattiest caution: "It's just looking like she's been rolling around in bed."
How Heidi likes to see breasts: "For me they have to be perky, and they have to be in the right spot."
Klum line most likely to become a ring tone: "I'm obsessed with boobs. That's just my thing."
The Results
Garment of the week: Louise's beautifully constructed black silk dress.
Should Althea have won? No! Three garments, three eye-sores.
Should Qristyl have been eliminated? Yes, it was the merciful thing to do. The dress was chic, but Heidi was right: It wasn't youthful. No model wants to look like the oldest woman at an industry event.
Bold prediction for who'll be auf'd next: Nicolas. The judges have clearly noticed his tendency toward the trashy.
Previous Project Runway Recaps: Week 1, Week 3
Share your comments, questions, and predictions in this week’s Project Runway Recap Fray.
-
sponsorship
After three weeks in Southern California, Project Runway finally took a trip to the beach.
The challenge was to create a "fun and fashionable surf wear look,"
along with a coordinating avant-garde design. And—drama alert—it was a team
challenge.
The producers ignored Logan and Christopher, Shirin and Carol Hannah, and
Althea and Louise, so it was clear they were safe. Meanwhile, Qristyl and
Epperson squabbled all the way from sketching to judging, reminding viewers that
all unhappy couples are alike: awkward and no fun to be around.
The train-wreck pairing was Mitchell and Ra'mon. Mitchell—who had miraculously
avoided elimination in both previous rounds—seemed incompetent and lazy, a team
captain who left his partner to produce everything except a two-piece swim suit
that was hidden under other garments. Only 35 minutes before the models were
due down the runway, Ra'mon was in the bathroom dyeing fabric, but in a
shocking "first time on Project Runway" twist, Ra'mon was named the
winner, while Mitchell got the boot.
The Contestants
Designer superpower: Is Johnny a living, breathing Hairy
Gary facial hair toy? Every time the camera pointed at him, he seemed to
have sprouted an entirely new beard/sideburn combination.
The Judges
Michael Kors was mysteriously absent for the second week in a row, but Max Azria sat in the
"foreign-born designer who needs subtitles" chair. Rachel Bilson was the
guest judge.
Tim Gunn's cattiest caution: "I feel like I'm in a cartoon with a superhero and a
Greek goddess." (To his credit, Ra'mon immediately abandoned the offending
garment.)
Heidi's biggest dilemma: "On Project Runway, you actually have to design and create and sew. ... I
don't know how I'm supposed to judge someone if they don't actually do
anything."
Stats
Number of times
Tim Gunn said, "Make it work!": 2
Number of crying contestants: Zero. This was a week for bickering, not blubbering.
The Results
Garment of the week: Althea
and Louise's avant-garde look, which featured a glittering bodice made from
zippers and pins with a beautifully executed cascade skirt. Unfortunately, it
got just 10 seconds of screen time.
Should Ra'mon have won? Not on the basis of his hand-dyed off-the-shoulder neoprene dress, which was bold but very poorly
finished. Still, he did the work of two, and the other design, a wave-inspired
blue, green, and brown beach look, was nice if a little gauzy for the
surf set. Johnny's
and Irina's
outfits, which both featured some form of macrame, were the only looks that seemed
coordinated.
Should Mitchell have been eliminated? Hell, yes! As he said himself, "I didn't try hard
enough," but after two weeks of playing the villain, he
at least came across as a nice guy.
Bold prediction for who'll be auf'd next: Qristyl. The judges haven't had a nice thing to say about
her since Day 1.
-
sponsorship
After a long wait, Project Runway is back on a new network (Lifetime), in a new city (Los Angeles), at a new time (10 p.m., which, as Hanna Rosin points out on Double X, is too late for the show's younger fans). Has the shift westward changed the show's sensibility? (A little.) Has the move to Lifetime matronized its aesthetics? (No, but there are way more bladder-related commercials.) And are the contestants any good? (It's too early to tell.)
In the early weeks of the season, so many garments fly down the runway that it's tough to judge the work. But that doesn't mean there's nothing to say.
In Week 1, we met the 16 designers and watched them fashion a "red carpet look showing innovation and point of view." Unschooled Minnesotan Christopher Straub won the first challenge with a champagne-colored dress with lots of texture and movement, while Samantha Ronson lookalike Ari Gold was sent home after she used "weird, bulbous hexagonal tesselation forms" to fashion a garment for the Video Music Awards "in, like, 2080."
The Contestants
Most cunning contestant: Johnny, addicted to mentioning his "addiction problem," had a crisis of confidence that earned an on-camera out-of-the-workroom mentoring session from Tim Gunn and pep talks from several other designers.
Most boring contestant: Anthea. Her introductory anecdote in full, "The best thing was when my boss came up to me and said, 'Althea, you're the best,' and I was like, ‘OK!' "
WTF statement of the week: Malvin's "I don't watch the red carpet. I don't differentiate between different colored carpets."
The Judges
Tim Gunn's cattiest caution: "Not styled correctly, this could go cruise-line-cocktail-waitress."
Guest judge's obsession: Lindsay Lohan singled out the back of a garment for praise three times—apparently she's an ass woman.
Michael Kors critique that could most easily apply to cheese: "It was elegant and sharp but still had some bite to it."
Most unconvincing review: Nina Garcia on Mitchell's mess, "Even though it is completely sheer and completely unwearable, there is an attitude about this that I liked, that makes me wonder what else you could do."
Stats
Number of crying contestants: 3
Number of times Tim Gunn said, "Make it work!": 2
The Results
Should Christopher have won? It wasn't a complete travesty.
Should Ari have been eliminated? No. Her garment was a nightmare, but at least it was a garment, which is more than can be said for Mitchell's chokingly high-necked, colorless, shapeless slab of pantyhose.
Bold prediction for who'll be auf'd next week: Qristyl. The judges are already muttering about her "taste level."
Project Runway photograph courtesy of Charley Gallay/Getty Images.