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-
Brow Beat:
posted by Forrest Wickman
on Wednesday, May 16, 2012, at 4:00 PM ET
Watch a Short Video Essay on the “Sounds of Aronofsky”
Brow Beat sometimes enjoys singling out a filmmaker’s particular stylistic tics and signatures, and we’re not alone. Vimeo user kogonada has carved out a niche for doing this in the form of video essays on the web. He specializes in just this one type of video essay, and his work is remarkably consistent: Before we posted his compilation of Wes Anderson overhead shots, and then his compilation of Quentin Tarantino’s shots from below, he had already published a popular compilation of point-of-view shots from Breaking Bad.
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Now kogonada has turned his microscope on the sound effects of Darren Aronofsky, director of Black Swan, The Wrestler, Requiem for a Dream, The Fountain, and Pi. As the video highlights, Aronofsky uses an unusually heightened style, examining many actions at only a nose’s length—and the sound effects, which sometimes make the tiniest noises sound almost thunderous, match that approach. In some particularly unusual and even cartoonish cases a single sound effect tells a whole action: A slurp (over a jump cut) represents eating, a ka-ching from an imaginary cash register represents a sale. -
Weigel:
posted by David Weigel
on Wednesday, May 16, 2012, at 4:04 PM ET
It's a Scott Walker Job Numbers Miracle!
Early this morning, Wisconsin media picked up the news that Scott Walker's Department of Workforce Development would put out new job numbers. Early numbers. Different numbers than the ones the national Bureau of Labor Statistics had been using.
Read More -
Trending News Channel:
posted by Slate V Staff
on Wednesday, May 16, 2012, at 3:30 PM ET
John Travolta’s First Masseur Accuser Hires Gloria Allred
In the world of Hollywood lawsuits, it’s the equivalent of taking out the big guns.
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The XX Factor:
posted by J. Bryan Lowder
on Wednesday, May 16, 2012, at 2:27 PM ET
Female Republicans Claim Their Party Has Women’s Best Interests at Heart
In this election year, there’s no doubt that women are a hot property—like the Boardwalk in Monopoly hot. Both the Democrats and Republicans are falling all over themselves to claim the title “party of women,” while accusing the other of being a charlatan. Politico hosted the latest rejoinder yesterday, when a group of 14 House GOP women (including Michele Bachmann) wrote an op-ed arguing that their “big tent” is where all the ladies want to be.
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Future Tense:
posted by Torie Bosch
on Wednesday, May 16, 2012, at 3:52 PM ET
Watch a Paralyzed Woman Move a Robot With Her Mind
For the first time in almost 15 years, Cathy Hutchinson, a 58-year-old woman left quadriplegic after a stroke, was able to reach for and take a sip of coffee without any human help, using only her mind to control a robotic arm.
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The Reckoning:
posted by Michael Moran
on Tuesday, May 15, 2012, at 9:08 AM ET
Treasury's 'Body Count' Dodge
Back in the dog days of the Vietnam War, the U.S. military decided it needed a metric to prove the worth of the casualties piling up in pursuit of our nebulous goals there. That number was dubbed “the body count” by American correspondents at the daily briefing in Saigon - the so-called "Five O'Clock Follies."
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Moneybox:
posted by Matthew Yglesias
on Wednesday, May 16, 2012, at 4:04 PM ET
A Cato Institute Financial Regulation Proposal Progressives Could Get Behind
Here's an interesting idea from Cato's Mark Calabria, impose de facto curbs on bank size by curtailing access to FDIC deposit insurance.
Read More
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The Wright Show:
posted by Robert Wright
on Monday, May 14, 2012, at 6:35 PM ET
David Frum's Ironic Indictment of the Ruling Class
David Frum’s new novel Patriots is, among other things, an indictment of the ruling class. But, unlike many such indictments, Frum’s complaint isn’t about a concentration of power per se. Here, after relaying a scene from the novel, he puts a finer point on his critique of modern America:
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Breakingviews:
posted by Jeffrey Goldfarb
on Tuesday, May 15, 2012, at 3:13 PM ET
Facebook Wins the Keynesian Beauty Contest
Give Facebook the tiara. The social network may be worth more than $100 billion on its debut. As a result, the art of valuing Facebook has officially entered what economist John Maynard Keynes called the “beauty contest” realm. In justifying such a lofty number, Facebook’s supporters are resorting to increasingly wacky rationalizations, from the old chestnut monetization of eyeballs to comparing the company to credit scorers. But Facebook’s value, like beauty, is merely in the eyes of the beholder.
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There is, of course, a lot to like about Mark Zuckerberg’s company. It’s not every day a new stock comes available sporting a business with some 900 million customers and an operating profit margin approaching 50 percent. And yet the latest potential IPO valuation of as much as $104 billion, achieved after it raised the maximum price from $35 to $38 a share, is difficult to defend using any fundamental analysis.
The investment community is bending over backwards to reverse engineer an answer. They run the gamut, from assumptions about Facebook’s ability to disrupt the traditional advertising market; comparisons to payment systems like Visa and PayPal; extrapolations from Google, Amazon and other internet firms; to the promise of digital goods.
Among the more creative methodologies, Evercore Partners presented a “marketing funnel,” its conical illustration of how Facebook will “demystify brand advertising” for marketers and others to support its projected valuation of up to $160 billion. And Sanford C. Bernstein analysts attempt to quantify the possible upside for Facebook by contemplating how its booty of consumer information may argue for a valuation in line with credit bureaus like Experian and Transunion.
In the end, it’s impossible to accurately gauge Facebook’s ability to reap profits from its successful social engine. And so investors are pricing its shares not on future income projections but rather on the basis they think everyone else sees great things for the company. In the “General Theory,” Keynes likened the scenario to a newspaper competition requiring readers to pick the prettiest faces from a series of pictures, with a prize for choosing the one that corresponds to the average preference. Sometimes capitalism is no thing of beauty. -
Quora:
posted by Quora Contributor
on Thursday, April 26, 2012, at 5:23 PM ET
As a User Experience Designer, What is it That You Don't Want to Focus on?
This question originally appeared on Quora. What does a user experience designer work on?: "Everything that relates to how a user will experience a website, product, or community. Includes interface, design, offline interaction. After all, any service or product can be seen and judged by its user experience."
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Answer by Joel Lewenstein, product designer at Quora:
I think about this a lot, how to get from the designer I am now to the designer I want to be. This non-comprehensive list is heavily influenced by the design process at Quora and the immense challenge and education I've received working with Rebekah Cox, Anne Halsall, and David Cole. I try not to focus on...
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